Serge Lutens

La Fille de Berlin

2013
Rose stripped of romance and armed with thorns — dark, metallic, unapologetically aggressive, named for a city not a garden.
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Sensory Profile

Sweetness Freshness Woodiness Intensity Longevity Complexity

Composition

Concentration Eau de Parfum
Style Niche
Notable Ingredients
Turkish rose dark berries incense tolu balsam geranium pepper

Olfactory Structure

Family Floral
Evolution Moderate
Sillage 6/10

Character

Moods

rebellious bold mysterious intimate

Season

Autumn Winter

Occasion

Evening

Thematic Territory

Rose as weapon, not ornament. Thorns pressed against skin, dark lipstick on a cold mouth, the metallic edge of cut stems. Berlin's raw beauty channeled through the most classical of flowers.

Era & Context

Deconstructed

Released when dark rose was becoming a niche cliche, yet cut through the noise with genuine aggression. Named not for romance but for a city — cold, divided, beautiful in its brutalism. Proved that deconstructing rose didn't require drowning it in oud.

Spiritual Links

Le Labo Rose 31
7/10
Floral Abstraction
Aesop Marrakech Intense
6/10
Floral Abstraction
Tauer Perfumes Incense Rosé
6/10
Floral Abstraction
Initio Parfums Prives Atomic Rose
6/10
Olfactory Rebellion Floral Abstraction
Frederic Malle Carnal Flower
5/10
Olfactory Rebellion
Le Labo Lys 41
5/10
Floral Abstraction
Comme des Garcons Concrete
4/10
Olfactory Rebellion
Diptyque L'Ombre dans l'Eau
4/10
Floral Abstraction

Influences

Absorbed from

Frederic Malle Portrait of a Lady Both push rose into dark, intense territory, but La Fille strips away the patchouli warmth for raw metallic edge

Influenced

Le Labo Rose 31 Both reimagine rose beyond prettiness — Rose 31 through cumin and cedar masculinity, La Fille through thorny darkness

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