Ink on rice paper, incense in cold air — a calligraphic fragrance where East and West dissolve into one brushstroke.
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Sensory Profile

Sweetness Freshness Woodiness Intensity Longevity Complexity

Composition

Concentration Eau de Parfum
Style Avant-garde
Notable Ingredients
ink accord sumi aldehydes incense magnetic vetiver rhubarb luminous wood

Olfactory Structure

Family Woody
Evolution Moderate
Sillage 4/10

Character

Moods

mysterious sophisticated meditative ethereal

Season

Autumn Winter

Occasion

Evening

Thematic Territory

East-meets-West calligraphy in scent — the precision of ink on rice paper, aldehydic luminosity meeting incense smoke

Era & Context

Postmodern

Released a year after Odeur 53, CdG 2 showed the house could be cerebral without being confrontational. Its ink-and-incense concept bridged Japanese aesthetic sensibility (sumi-e, wabi-sabi) with Western aldehydic perfumery, creating a third space that belonged to neither tradition.

Spiritual Links

Le Labo Thé Noir 29
6/10
Mood Convergence Cultural Bridge
Diptyque Orpheon
6/10
Mood Convergence Cultural Bridge
Frederic Malle French Lover
5/10
Mood Convergence Cultural Bridge
Serge Lutens Feminite du Bois
5/10
Cultural Bridge Era Defiance
Guerlain Jicky
5/10
Gender Subversion Synthetic Innovation

Influences

Absorbed from

Comme des Garcons Odeur 53 Inherited the conceptual fragrance-as-art framework but channeled it toward contemplation rather than provocation
Serge Lutens Ambre Sultan East-West aromatic bridge and incense-forward composition as a form of cultural dialogue

Influenced

Comme des Garcons Hinoki Established the contemplative, Japanese-inflected approach that Hinoki would distill into pure temple wood

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